Showing posts with label Galley Beggar Press. Show all posts
Showing posts with label Galley Beggar Press. Show all posts

6 Oct 2013

Another Galley Beggar Single: Almost Blue, by Tony O'Neill

Almost Blue by Tony O'Neill will punch you hard and slap you in the face. The third Galley Beggar Book Single on my list, it's by far the most upsetting until now. Not at all because something dreadful happens, though there is enough potential for this, what with all characters fast on the track towards an overdose. It's more to do with the self-made hamster cages all characters find themselves in but are unable and/or unwilling to leave. It's truly a story of dead ends, and that's the awful bit. The truly awful bit. And that's all I'm going to say about the content. For 1 GBP, Almost Blue is good value - I for once won't forget this one for quite some time to come. So go ahead and read for yourself; here's the link: http://www.galleybeggar.co.uk/book-store/ebook/almost-blue/

I think after having read and attempted to talk about a couple of book singles that all happened to be from the same publisher, it might be a good idea to take stock. Or perhaps it isn't. Anyway, time's running out for my blogpost this week and I don't want to run up any Iron Buchblogger debts. Can't afford it, mind.

So, these singles on the short end of the spectrum brought me back to the short story. Not that I was very far away from them before, what with my students unearthing new ones every summer term, but I hadn't read too many of them fresh from the publishers, rather slightly older stuff, or simply, the stuff that tends to get washed up at universities some decades after their first publication. And some things that I like about the short story popped back into my consciousness again; the limited perspective of the narration, the sketchiness of the characters who don't need a back story or anything to make their stories interesting or plausible. They're stories that are sort of 'natural' stories; for me, they are like meeting someone in a bar who - perhaps slightly drunkenly - tells you a story, something they've experienced and want to share for one reason or another. And as with strangers in a pub, I think there's a similar momentary  intimacy that retreats within minutes after having read the last sentence - no, I don't want to know more about those people and what happened to them afterwards; I'm content and intrigued with what I heard, that's that and that is good.

Tech stuff: After having been not really convinced of reading the files in PDF format, I finally managed to read Almost Blue on my kindle app for Android (yay!). Unfortunately you need to trick the app into believing that you bought it via the kindle shop, which is not as intuitive as it should be. Anyway, once you've found the folder where the app stores its ebooks and you've copied your brand new single into this bespoke folder, it works perfectly (took me only ten days to figure this out - of course the idea came in the middle of the night - so if you ever experience similar troubles and my solution turns out to work for you too, think of me and offer me a highly paid position right away - you won't regret it).

Book Single information:
Almost Blue, by Tony O'Neill. Published by Galley Beggar Press, 2013. GBP 1.


Next week I'll try out singles by another publisher. In fact, they only just launched last week, so this stuff would be hot off the presses if there was such a thing any longer. Watch this space!

29 Sept 2013

Shortie subscriptions: get your weekly dose of literature!


On another note, Galley Beggar Press have announced in their newsletter that they're contemplating a Singles Club subscription, which I think is a great idea - not at least because I've been talking about something similar for months now and my secretly hot air balloon-sized ego still likes its own ideas best. However, such a subscription scheme might simply prove great for all agents involved: writers see their shorter texts, including poems, reach an audience they otherwise would probably struggle to attract outside of - let's face it - rather niche specialized magazines; readers get the opportunity to discover new voices they like without having to comb the net; and publishers are able to establish a closer relationship with their customers and at the same time can cut the distribution chain in the case of digital subscriptions - and communicate with people's email inboxes or mobile devices right away.

And, perhaps, physical book lovers like me could book a nice little extra of getting the most popular stories/poems of a year in a lovely little anthology? Just a thought.... Anyway: I'm in.

Single Review: Best Friend, by Samuel Wright

I've got another book single from the short end of the short story/novella spectrum of Galley Beggar's Singles Club on my list today (doesn't 'Singles Club' sound a bit like a dating thing? But then again, how better to meet someone than over a book or story? There might be something in this...): Best Friend peeks into the psychological cosmos of children and their acute sense for loyalty.

The story of Bobby and Jay explores the rather paradoxical tos and fros of one of the most important questions for kids - "who's your best friend?". Bobby is sure that he and Jay are best friends; after all, they explore Hackney Marshes together and dream of living in the wild in a shed made of sticks - and that's clearly something only best friends could pull off together. However, when Jay doesn't come to school for quite some time, Bobby finds himself strangely reluctant to go and see what has become of his best friend. Since it's actually a bit tricky to sum up without major spoilers what happens when Jay eventually comes back, let's just say that although they continue to hang out with each other, something's gone missing from their friendship.

What's great about this story is that we as readers are so close to Bobby's confusion as he tries to grasp what has happened and grapples with accepting his own role in the events. The limited perspective of the child makes us share Bobby's insecurity and horror, and leaves all the 'adult' work of judging his behaviour to the reader. Nice one!

Book Single information:
Best Friend, by Samuel Wright. Published by Galley Beggar Press, 2013. 7pp. GBP 1.

14 Sept 2013

First Single Review: My Beauty, by Rowana Macdonald


My Beauty, written by Rowana Macdonald is a short story of the very short kind, totalling three and a half pages. But then, as is the case with most decent short stories, there's no need for more. It focusses on a couple of hours in the life of Danuta, a Lithuanian beauty who works on a Danish fur farm to finance her studies. Or rather, who used to work at the farm until she became the owner's favourite and moved in with him. Danuta has learned a lot about fur during her shifts at the farm, but above all she's learned the value of flawless beauty - and she is determined to use her own marble features to make her way in the world. Danuta's biggest rival for Sven's admiration turns out to be Princess, the only mink with a name on the farm, flawless too with her white fur, and tame in Sven's hands.

Macdonald eerily connects the two beauties' fates with each other, whose existence stands and falls with Sven's mercy, thereby playing with the commercialisation of beauty and the possessiveness and cruelty of those who "appreciate" it. In instances like "His favourite mink is asleep in her cage, reclining with a seductive twist on her back. Her nipples are tender pink berries and her mouth is curled in a secretive smile as if she's having sweet dreams", the parallel exploitation of minx and mink becomes almost too obvious. However, although fur and skin are the pervading motifs, the story exudes such a coldness through the characters that any notion of emotional kitsch is kept at bay. Everybody in this story - even the animal - seems to be constantly calculating their profits, and every kind of relationship is solely based on these. Three and a half pages is all it takes Macdonald to conjure up a story that alludes to the exploitation of immigrants, prostitution, and violence and that leaves you with a feeling of chilly unease.


As to the technical side of things - I suppose this is the digital equivalent of that part of the review where you usually comment on the quality of the editing and the academic apparatus, at least in academic reviewing, so I think this is somewhat important for my purposes here - the ebook is designed probably pretty much in the same way as Galley Beggar's physical books are. Nothing wrong with that, but the format doesn't adapt too well to the screen size of my 7'' tablet: the pages are too wide and the type size appears tiny, so that a lot of time passes with enlargening, scrolling and swishing over my screen to follow the sentences. I have to add thought that I got the PDF version; perhaps the other digital formats are easier to navigate in this respect. I promise to try out alternatives.

Book Single information:
My Beauty, by Rowana Macdonald. Published by Galley Beggar Press, 2013. 4pp. GBP 1.